Мужчина в костюме и прыгающий автомобиль

Редактирование

[TASK] Edit @video1 by replacing ONLY the existing foreground seated person and the main moving vehicle. Replace the seated person with the complete person from @image1. Replace the jumping vehicle with the vehicle from @image2. Use @video1 as the source footage, not merely as inspiration. Do not recreate, redesign, or reinterpret the scene. [SOURCE LOCK] Preserve the source video's exact duration, aspect ratio, shot structure, evolving framing, camera-motion pattern, perspective, timing, playback-speed changes, environment, season, lighting, chair, dust, and audio. Preserve the original action sequence and its existing synchronization, including the relationship between the finger snap and the vehicle's appearance. “Preserve the source camera” means reproduce its movement throughout the clip, NOT freeze the initial composition. The seated person remaining near the same screen position does not mean the camera or background is stationary. [CAMERA MOTION — ESSENTIAL] Reproduce @video1's moving telephoto composition and compressed spatial perspective. The distant hillside appears large and visually close behind the seated person. Keep the foreground person in the source-defined screen position while preserving the background's movement relative to their head, shoulders, and chair. During the opening, identifiable hillside and vegetation details visibly travel from SCREEN-RIGHT TO SCREEN-LEFT relative to the seated person, matching @video1. Preserve the source's amount, speed, timing, and progression of this lateral displacement. Do not reduce it to tiny camera jitter. During the vehicle jump, reproduce the source's horizontal and vertical framing adjustments and any actual changes in scale. Match the evolving relationship between the person, vehicle, ridge, and distant landscape frame by frame. Do not replace this motion with a static tripod composition, a simple centered zoom-in, or a frozen background. Telephoto perspective does not mean continuously zooming in. Preserve the source's actual scale changes rather than inventing a new zoom. Do not slide a flat background image behind a cutout person. Maintain coherent scene depth, perspective, occlusion, and relative movement of scene elements. Do not invent an orbit, reverse the observed background movement, exaggerate parallax, or add camera movements absent from the source. Integrate the replacement person and car into the ORIGINAL moving camera view. [PERSON REPLACEMENT] Replace the entire seated person, including the head, body, clothing, and accessories, using @image1. Preserve the photo-defined face, facial structure, natural skull shape, apparent age, gender presentation, skin tone, hairstyle, physique, clothing, accessories, and visible footwear. Do not merely paste the photo face onto the source person's head or body. Do not inherit the source person's age, body size, headwear, hairstyle, or outfit. Any source hat or decorative headwear is part of the person being replaced, not part of the locked background. Remove it unless corresponding headwear appears in @image1. Never turn the source headwear silhouette into an elongated forehead, extra hair, or a distorted skull. Complete unseen details conservatively and consistently with the photograph. [PERSON MOTION LOCK] The replacement person reproduces the source person's actions and performance as closely as their anatomy allows: seated posture, crossed-leg arrangement, head direction, gaze, facial expression, right-arm lift, finger snap, hand follow-through, and subsequent relaxation. Preserve the source timing of every gesture. Do not add a second snap, new reaction, head turn, smile, speech, or unrelated movement. Retarget the pose naturally to the photo-defined proportions while keeping the same seated position and believable contact with the original chair. Do not shrink or reshape the replacement person to match the source person's anatomy. Keep the person seated and composed throughout the vehicle action, following the original performance. [PERSON IDENTITY LOCK] The foreground seated person remains @image1 throughout the entire video. Maintain the same face, body, hairstyle, outfit, and accessories through gestures, head movement, changing perspective, shadows, and partial dust occlusion. Do not apply @image1 to the vehicle's driver or create additional copies of the person. [FACE QUALITY] Keep facial anatomy stable and the identity recognizable at the source shot's actual scale and focus. Preserve natural facial detail during movement without artificial sharpening or changing the original depth of field. No smeared facial features, warped eyes or mouth, identity drift, frozen photographic face, or skin-colored headwear. Allow natural motion blur and genuine scene occlusion. Do not make the face unnaturally sharp through dust or outside the focus plane. [VEHICLE REPLACEMENT] Replace the entire main vehicle with the car from @image2. Preserve its actual make and model where identifiable, body type, proportions, wheelbase, roofline, paint color, grille, headlights, bumpers, windows, wheels, tires, trim, and visible identifying details. Reconstruct the photo-defined vehicle as a coherent three-dimensional object. Do not simply recolor the original pickup or attach a different grille to its body. If @image2 shows a different body type, use that body type. Do not retain the source pickup bed, oversized tires, cabin silhouette, or body proportions. Complete unseen sides and underside consistently with the photographed vehicle. Do not invent modifications or unrelated branding. [VEHICLE MOTION LOCK] The replacement vehicle follows the original vehicle's trajectory, orientation changes, screen-space placement, entrance timing, takeoff, airborne arc, apex, descent, landing, rollout, and final position. Preserve the original speed ramp, including the transition into and out of slow motion. Do not add hovering, extra rotation, a different jump, a new stop, a new acceleration phase, or an additional camera angle. Match the source movement while retaining the replacement vehicle's real proportions. Adapt wheel contact and suspension articulation to the replacement vehicle without changing the timing or overall path. The car remains the same vehicle throughout. No changing wheel count, stretching chassis, deforming panels, changing paint, or switching models. [REVEAL AND OCCLUSION] Before the original vehicle becomes visible, keep the replacement vehicle hidden in the same way. Reveal it progressively from behind the same ridge at the same moment as the source. Do not fade it in, materialize it in midair, or show it prematurely. Preserve the depth order between terrain, vehicle, chair, seated person, and dust as the camera view changes. The person and chair correctly occlude the vehicle where they overlap. Maintain the original separation and absence of contact. Do not create a collision with the chair or person. [SCENE LOCK] Everything except the two designated replacement subjects remains unchanged. Do not change the landscape, vegetation, weather, season, sky, hill, dirt track, chair, or color treatment. Do not introduce an autumn setting or any other environment change from earlier instructions. Preserve the environment as a moving part of the source footage, not as a frozen background plate. Do not replace, remove, or multiply background subjects. Any visible driver remains a secondary source-consistent figure, not a new featured character. Preserve the dust event's timing, general development, and relationship to the landing. Permit only the local reconstruction needed for the new silhouettes, revealed background areas, contact shadows, reflections, wheel contact, and dust occlusion. Scene preservation must not suppress the original camera movement. [LIGHTING AND INTEGRATION] Light the replacement person and vehicle as if they were present in the original footage. Match the source light direction, contrast, shadow softness, exposure, grain, focus, and motion blur. Preserve the photo-defined vehicle color under the source lighting. Vehicle reflections respond coherently to its changing orientation and the moving camera view. No cutout edges, halos, mismatched shadows, floating feet, disconnected hands, or reflections inherited from the photo's original background. [AUDIO LOCK] Preserve the complete original audio from @video1 at its original timeline position, speed, and pitch. Do not regenerate the soundtrack, move the snap sound, replace the engine sound, add narration, or introduce new music. Visual replacements follow the existing audio timing. If the editing mode cannot retain audio directly, keep the visual output perfectly aligned for reattaching the untouched source soundtrack. [FINAL RESULT] The result should look as though the person from @image1 and the vehicle from @image2 were originally filmed in @video1. Only those two subjects change. Preserve the moving telephoto framing and the source's right-to-left background displacement relative to the seated person. A centered person must NOT result in a frozen camera view. No scene redesign or changed season. No static-camera substitution or generic zoom replacing the source camera motion. No changed gesture timing. No changed vehicle trajectory or speed ramp. No changed audio. No inherited source-person costume or source-vehicle body shape. No identity drift, vehicle morphing, extra subjects, captions, or added watermarks.

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